Rock documentary with excellent production values, 29 July 2006 Author: Chris_Docker from Scotland, United Kingdom The film kicks off with a quote from Nirvana's Kurt Cobain, about his famous song, Smells Like Teen Spirit: "I was basically trying to rip off the Pixies." As a tribute documentary, loudQUIETloud goes on to explore the Pixies strange career and provide some clues to why they have been so influential. The Pixies established themselves musically with deep contrasts, not just in volume (as the title suggests) but by combining many strange elements, melodic and abrasive, and cryptic lyrics - they are almost like a David Lynch rock experience (one of their songs is a cover from a song in Lynch's early Eraserhead). What made them extraordinary is that they disbanded just as they approached critical acclaim (within six years) and didn't reap the benefits of their popularity until they re-formed nearly twelve years later - at which point this movie begins. Tickets for their 2004 reunion tour sold out in four minutes, but the band members are no longer young. As the film develops we see some have families with small children, but they all have outside interests, musical or otherwise, and 'being the Pixies' is hardly something they identify with beyond a sense of responsibility to make sure the live performances go well. The detachment is so great that a struggling interviewer, asking an innocuous question about whether they will make another album, is nonplussed that the band really haven't considered the question one way or the other. Lead singer Frank Black ('Black Francis') is a bulky, almost intimidating figure with a shaven head, so it's something of a revelation to see him doing positive affirmations before bed, telling himself, "I am a nice person, people like me . . ." Bassist Kim Deal looks with surprise at the blisters on her fingers after the first concert - Frank reassures her they'll get better in about a week. Both of them continue working on their own material while on tour, Kim for the Breeders and Frank on his solo work. The band seem to accept that it is not in their natures to talk to each other much, even when they are getting on fine, but they seem more mature than the days of early acrimony where one or the other would unilaterally make public announcements of the band's imminent break-up. The sound and camera-work throughout is first rate, so if you like the Pixies even a little bit, this is a rare opportunity to experience them at their best. For those who have never heard of them, you might recall the song, 'Where Is My Mind?' as the exit music to the film Fight Club, or sections from their records 'Gigantic' and 'Hang Wire in the United States of Leland. For fans, the song listing taken from the credits includes: Where is My Mind, Hey, Here Comes Your Man, U-Mass, Caribou, Gouge Away, Nimrod's Son, In Heaven, Wave of Mutilation, Something Against You, Bone Machine, Cactus, Vamos, Monkey Gone to Heaven and also the Breeders song Iris.

Comedian Kevin Yee makes a short film about making a short film.

The untold story of one of rock 'n' roll's wildest and most influential bands, The Sonics. For the first time ever, all five original members of the band tell the story of how it all went down, beginning to end. Explore how a relatively unknown band from the Pacific Northwest became a worldwide phenomenon 50-years after their heyday, and in doing so, shaped music for decades to come.

The day she starts speaking Swedish, 28-year-old Norwegian Edith also dreams herself into the center of a movie. But it turns out that changing languages isn’t enough to make her the main character.

Andrew Kaufman (1949 - 1984) was an American entertainer, actor, writer, performance artist and professional wrestler. A charismatic persona poured out of a bucket.

From 1984 to 2019, Lynne Sachs shot film of her father, a bon vivant and pioneering businessman. This documentary is her attempt to understand the web that connects a child to her parent and a sister to her siblings. As the startling facts mount, Sachs as a daughter discovers more about her father than she had ever hoped to reveal.

这是一张谢菲尔德电子工作室（Studio Electrophonique）带来的令人愉悦的唱片，该工作室培养了一代巨星，如ABC乐队、人类联盟（The Human League）、天堂17（Heaven 17）、时钟DVA（Clock DVA）和果肉乐队（Pulp）。肯·帕滕（Ken Patten）是一名汽车板金工，留着潇洒的小胡子，对音乐满怀热情。他在汉兹沃思（Handsworth）市政住宅楼下的扩建部分打造了属于自己的创意天地。就在这里，他开始……

A math teacher is hired to teach on a school with serious disciplinary issues. He will face the bullying that a group of student suffer.The feeling of impotence for the unjustified practices will take Jorge to corrupt he's own moral.

For some aging music fans and kids with a passion for musical history, The Replacements are rock and roll defined. Gorman Bechard's remarkable history of the 'Mats takes us from their first show as the Impediments to their 1991 onstage breakup in Chicago, and everywhere in between. Bechard bravely eschews including the band's music, photos, and live footage, instead relying solely on the fans: their well-kept memories, hilarious anecdotes, and differing points of views about the foursome's wildly varied discography and infamous antics.

Theory of Obscurity tells the story of the renegade sound and video collective known as The Residents…a story that spans 40 years and is clouded in mystery. Many details surrounding the group are secret, including the identities of its members. They always perform wearing masks and costumes, which is part of their magic. At its heart, this story is about perseverance and chasing your dream. The Residents never caved to convention. They never compromised. They’ve followed their muse for decades and thousands of fans have hung on for the ride. Along the way they’ve also inspired many people to be weird, take chances and find their own voice.